PARRHESİAPAR

The sea and fishermen form a common theme in Ara Güler's photographs of Istanbul. The exhibition of a selection of photographs taken in the old fishermen's neighborhood of Kumkapı under the title 'Kumkapı Fishermen' was inspired by Ara Güler's series of articles titled 'Kumkapı with Armenian Fishermen' published in Jamanak newspaper in 1952, taken when he was still a young photojournalist. Among his famous signature photographs of fishermen and net menders captured sometimes in groups or single, there are also women who immediately catch our eye, the most striking one being Merametci Saten Hanım.

On Wednesday, April 24th, alongside Nesim Ovadya İzrail, our memory walk with approximately twenty participants led us to a point where we encountered the memory of spaces where Armenian intellectuals, whose stories we have read in books and their photographs we have seen in commemorative ceremonies, once converged. As one participant noted, during our walk, "unlike official history, what happened appeared more real to us”.

A medievalist Zaroui Pogossian working at the University of Florence in Italy, curated the historical section of Armenians of the exhibition in order to recreate what Marco Polo might have seen in these regions. She is also the author of the chapter on Marco Polo and Armenia in the exhibition’s bilingual catalog, published in Italian and English. In particular, Pogossian has brought together artifacts from the manuscript collections of the Institute of Ancient Manuscripts- Matenadaran in Armenia and the Mkhitaryan Monastery in Venice, as well as objects from the History Museum of Armenia in Yerevan

The historical framework of the novel “The Prospectors,” which emerged from a long process of research and writing, is based on Djanikian’s maternal family history, who is American. The writer’s paternal family is Armenian. While writing the novel, Djanikian examined forgotten sources, both old and new, particularly focusing on the Klondike region, and crafted a narrative that intertwines snippets of personal history with official history.

Getronagan students live each female character not only through the text, but also by dressing, speaking, acting and communicating like that character. In this context, the show 'Hay Gin' also inspires us as a pedagogical model.

Harutyunyan, born in 1860 in the village of Tlgadin (Huylu, now officially known as Kuyulu) south of Harput, is generally known for his newspaper articles, travel notes, plays, and short stories. In these writings, Tlgadintsi not only critically conveys the condition of Armenian properties and monasteries perspective,but also depicts the details of daily life with an ethnographic finesse, and portrays, as Beledian described, an almost silent forewarning of the impending disaster.

Kavar, translated as "province," encapsulates more than just a locality outside the city; it embodies the homeland, nature, and the relationship between human beings and the land. Our exploration of Kavar Literature began with Hamasdegh, and the ideas that emerged during our discussions formed the foundation for our future initiatives. We not only delved into Kavar Literature but also broadened our investigation by drawing comparisons with world literature